抱月瓶是清代的一種瓷器。亦稱“寶月瓶”。小口、直頸???，頸側雙耳，因瓶腹似圓月，故名。外形早源自宋元時期流行于西夏的陶制馬掛瓶，左右雙系，用以掛于馬鞍之側，民族特色。明代永樂、宣德景德鎮窯常見器物之一，雍正早期燒制，后停燒。乾隆時又有燒制，多為青花。
The moon bottle is a kind of porcelain in the Qing Dynasty. It is also called "Bao Yue bottle". Small mouth, straight neck, neck side ears, because the bottle belly like round moon, hence the name. The shape originated from the Pottery Horse bottle which was popular in the Song and Yuan Dynasties. It was used to hang on the side of the saddle and had the national characteristics. One of the common implements of Yongle and Xuan de Jingdezhen kiln in the Ming Dynasty, Yong Zheng was fired early and stopped burning. During the Qianlong period, there was another burning, and most of them were green flowers.
抱月瓶外形早源自宋元時期流行于西夏的陶制馬掛瓶，左右雙系，用以掛于馬鞍之側，民族特色。明代以青花為裝飾，結合抱月瓶自身特風格，將色彩與器形融于一體，使其發展成為陳設用的藝術品。抱月瓶以永宣時期負，其中蒜頭口抱月瓶于康熙、雍正兩朝多有仿制。乾隆皇帝更是喜愛有加，因此抱月瓶成為清代乾隆一朝重要的陳設瓷器之一，外形與花樣也隨著御窯廠不斷創新而變化多樣，異彩紛呈。
The shape of the moon-holding vase originated from the pottery horse-hanging vase, which was popular in the Song and Yuan Dynasties and was used to hang on the side of the saddle. In the Ming Dynasty, blue and white flowers were used as decoration, and the unique style of the moon vase was combined to perfect the combination of color and shape, making it a display art. In the Yongxuan period, the moon bottle was the most famous one. Among them, there were many imitation in the two dynasties of Kangxi and Yong Zheng. Qian Long was more fond of the emperor, so the moon bottle became one of the important furnishings of Qian Long in the Qing Dynasty. The shape and pattern changed with the continuous innovation of the imperial kiln.
經營理念：成交為主，現金為王
藝術品的價值主要是由其“名、真、精、稀、新”決定的，因此，在進行藝術品收藏投資時，要以這個核心價值作判斷。藝術品，不同于房產、股票投資，藝術品收藏投資是一種文化類的精神消費。目前，困擾藝術品收藏的問題是假冒、以及價格虛高等方面。所以，進行藝術品收藏投資時一定要通過有信譽和、的機構進行交易。
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